In an ongoing series on hybridizing fruit trees, Syracuse University sculptor Sam Van Aken’s Tree of 40 Fruit is true to its name. Most of the year, it looks pretty ordinary, but in the spring, the tree blossoms display various tones of pink, crimson, and white. Then, from July through October, it bears 40 different types of stone fruit, including almonds, apricots, cherries, nectarines, peaches, and plums.
The feat is accomplished by grafting together several different varieties, including native fruit, heirlooms, and antiques, some of which are centuries-old, Aken tells Epicurious.
His main source is an orchard at the New York State Agricultural Experiment Station, which he leased when he heard the orchard was to be torn down. After developing a timeline of when each of the 250 varieties blossom in relation to each other, he would graft a few onto the root structure of a single tree. When his “working tree” was about two years old, he would add more varieties onto the tree as separate branches — a technique called “chip grafting,” Science Alert explains. A sliver that includes a bud is inserted into an incision in the working tree and then taped in place. After it heals over the winter, the branch becomes just another normal branch on the tree, to be pruned as usual.
So far, 16 of these Trees of 40 Fruit have been grown, each taking about five years. He picked stone fruits because they’ve got a lot of diversity and they’re inter-compatible. And a bit of garlic and peppermint repellents keep deer away.
“By grafting these different varieties onto the tree in a certain order I can essentially sculpt how the tree is to blossom,” he says. “I’ve been told by people that have [a tree] at their home that it provides the perfect amount and perfect variety of fruit.”
Maybe someone is offering you flowers, but you’re not reaching out for them. Maybe someone cares for you, but you don’t even realise. Maybe someone thinks you’re interesting, but you’re getting bored of yourself. Never undermine what you mean to others.
Is our overvaluation of spontaneity not, after all, born of a deep-seated fear – the fear of missing out? If we commit to one social plan for the whole evening, we might be missing out on something cooler happening just around the corner. So the mediated-spontaneity tools of the smartphone comfort us with the idea that it is always possible to bail out in favour of something better. And this is pleasant, too, for the hipster entrepreneurs who have just launched the nearby pop-up absinthe bar or dude-food smokehouse. As Jacob Burak reports in a recent essay, the fear of missing out “occurs mostly in people with unfulfilled psychological needs in realms such as love, respect, autonomy and security”. Too overwhelming a fear of missing out – a generalised attitude of always looking over the shoulder of the person you’re talking to in case there is someone more interesting or attractive at the party – can rob the victim of the ability to take pleasure in anything.
And so it might be that those dedicated to the spontaneous lifestyle will continue to be frazzled and unhappy, however many bikini razors and pairs of Brazilian flip-flops they own – while their masters, whose plans are anything but spontaneous, look on with dark satisfaction.
Who you think you are is also intimately connect with how you see yourself treated by others. Many people complain that others do not treat them well enough, “I don’t get any respect, attention, recognition, acknowledgment,” they say. “I’m being taken for granted.” When people are kind, they suspect hidden motives. “Others want to manipulate me, take advantage of me. Nobody loves me.”
Who they think they are is this: “I am a needy ‘little me’ whose needs are not being met.” This basic misperception of who they are creates dysfunction in all their relationships. They believe they have nothing to give and that the world or other people are withholding from them what they need. Their entire reality is based on an illusory sense of who they are. It sabotages situations, mars all relationships. If the thought of lack—whether it be money, recognition, or love—has become part of who you think you are, you will always experience lack. Rather than acknowledge the good that is already in your life, all you see is lack. Acknowledging the good that is already in your life is the foundation of all abundance.
The fact is: Whatever you think the world is withholding from you, you are withholding from the world. You are withholding it because deep down you think you are small and that you have nothing to give.
Try this for a couple of weeks and see how it changes your reality: Whatever you think people are withholding from you—praise, appreciation, assistance, loving care, and so on—give it to them. You don’t have it? Just act as if you had it, and it will come.Then, soon after you start giving, you will start receiving. You cannot receive what you don’t give. Outflow determines inflow. Whatever you think the world is withholding from you, you already have, but unless you allow it to flow out, you won’t even know that you have it.
Eckhart Tolle (via mindofataurus)
I did things in my 30s that were ignored by the world, that could have been quickly labeled a failure. Here’s a classic example; in 1974 I did a movie called Phantom of the Paradise. Phantom of the Paradise, which was a huge flop in this country. There were only two cities in the world where it had any real success: Winnipeg, in Canada, and Paris, France. So, okay, let’s write it off as a failure. Maybe you could do that.
But all of the sudden, I’m in Mexico, and a 16-year-old boy comes up to me at a concert with an album - a Phantom of the Paradise soundtrack- and asks me to sign it. I sign it. Evidently I was nice to him and we had a nice little conversation. I don’t remember the moment, I remember signing the album (I don’t know if I think I remember or if I actually remember). But this little 14 or 16, whatever old this guy was… Well I know who the guy is now because I’m writing a musical based on Pan’s Labyrinth; it’s Guillermo del Toro.
The work that I’ve done with Daft Punk it’s totally related to them seeing Phantom of the Paradise 20 times and deciding they’re going to reach out to this 70-year-old songwriter to get involved in an album called Random Access Memories.
So, what is the lesson in that? The lesson for me is being very careful about what you label a failure in your life. Be careful about throwing something in the round file as garbage because you may find that it’s the headwaters of a relationship that you can’t even imagine it’s coming in your future.
Costume progress this weekend, for Kid Flash and Impulse Iris. This heat transfer vinyl is the coolest stuff ever. Just x-acto out a pattern and iron it on.
And I bought about 10 times too much, so looks like we’ll have lots of future projects.
Princess Leia has gone crazy.
Joe, 10, watching the Blues Brothers with me last night
by John O’Donohue
In out-of-the-way places of the heart,
Where your thoughts never think to wander,
This beginning has been quietly forming,
Waiting until you were ready to emerge.
For a long time it has watched your desire,
Feeling the emptiness growing inside you,
Noticing how you willed yourself on,
Still unable to leave what you had outgrown.
It watched you play with the seduction of safety
And the gray promises that sameness whispered,
Heard the waves of turmoil rise and relent,
Wondered would you always live like this.
Then the delight, when your courage kindled,
And out you stepped onto new ground,
Your eyes young again with energy and dream,
A path of plenitude opening before you.
Though your destination is not yet clear
You can trust the promise of this opening;
Unfurl yourself into the grace of beginning
That is at one with your life’s desire.
Awaken your spirit to adventure;
Hold nothing back, learn to find ease in risk;
Soon you will be home in a new rhythm,
For your soul senses the world that awaits you.
— from To Bless the Space Between Us: A Book of Blessings, by John O’Donohue